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Page vii

Contents

 

 

List of figures

 

ix

 

 

List of contributors

 

x

 

 

General editor’s preface

 

xiii

 

 

Acknowledgments

 

xv

 

 

Introduction Christy Desmet

 

1

Part 1:
Appropriation in theory

 

 

1

 

Alas, poor Shakespeare! I knew him well Ivo Kamps

 

15

2

 

Entry on Q Terence Hawkes

 

33

3

 

Romancing the BardLaurie E.Osborne

 

47

4

 

Moor or less? The surveillance of Othello, Calcutta 1848 Sudipto Chatterjee and Jyotsna G.Singh

 

65

Part 2:
Appropriation in practice

 

 

5

 

Remembering King Lear in Jane Smiley’s A Thousand Acres Caroline Cakebread

 

85

6

 

Signifyin’ on The Tempest in Gloria Naylor’s Mama Day James R.Andreas, Sr.

 

103

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