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Page 232 rivalry with see Oedipal desire; sexual abuse by 8–9, 87, 90, 97–8, 166; see also patriarchy Faulkner, William 104 feminism 2, 7, 8, 9; and death of literature 20, 26–7, 30; and Thousand Acres (Smiley) and King Lear 86, 99, 103 feminization: of King Lear see Thousand Acres; of Tempest see Mama Day, see also re-vision Festivals, Shakespeare 200–1 films see Disney and under Hamlet; Romeo and Juliet; Tempest Finkelstein, Richard xi Finkelstein, Richard, on Disney’s appropriation 2, 4, 5, 179–96 Fish, Stanley 209 Fjellman, Stephen 179, 180 Flaubert, Gustave 139 Flaxman, John 130 Fletcher, Martin 119–20 Fliess, Wilhelm 161 Flower, Joe 196 Foner, Philip S. 7 Fool’s Masquerade (Wolf) 50, 51, 61 Foucault, Michel 5, 6, 30, 66, 209 Fowler, Virginia 110, 111 Frankfurt School (Adorno and Horkheimer) 5, 180, 182, 195 Freud, Sigmund 7, 160–7 passim, 172, 173, 178, 191 Friday’s Child (Heyer) 48 Frye, Northrop 185, 186, 188, 193, 196 Furnivall, F.J. 152, 154, 155, 157, 158–9 Furse, Roger 167 future, Shakespeare in 10–12, 205 Gainsborough, Thomas 139 Game of Love (Layton) 51, 55 Gans, Herbert 180, 194 Garrick, David 2 Garwood, Julie 52, 53, 62 Gates, Henry Louis Jr 105, 107, 109, 114–15, 118 Gertrude, in films 162, 165, 166, 168, 169, 170, 171, 174, 175, 176, 177 Gertrude Talks Back (Atwood) 9 Gervinus, Georg 130, 140 Gibson, Mel 170 Girlhood of Shakespeare’s Heroines (Clarke) 121, 134 Giroux, Henry 179 Givhan, Robin 138 Gladstone, William 35 Glyn, Isabella 125 Goethe, Johann Wolfgang von 124 Goldberg, G. 133 Goldberg, Jonathan 20 Gould, Stephen Jay 204, 205 Grady, Hugh 6, 46, 207 grave and body of Shakespeare 15–16, 30 Graves, Michael 183, 196 Greatest Lover in England (Dodd) 57, 63 Greenblatt, Stephen J. 20, 24, 26, 31, 209 Greetham, D.C. 199 Grierson, Sir Herbert 35 Gross, John 35, 38, 42 Grover, Ron 182, 196 Guenther, Leah 201 Guillory, John 6, 27, 28–9, 31, 209–10 Guizot, François 124 Gullah people 113 Hagen, Ute 7 Halpern, Richard 195 Hamilton, Charles 15, 30 Hamlet (Shakespeare): and Browning 143, 146, 150–1, 155; canonical nature of 22–3; closet scene rewritten 9; ‘Fifteen Minute’ (Stoppard) 9; |
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