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cultural boundaries see surveillance

cultural capital of Shakespeare 5–6, 8, 20–3, 26, 31;

and Disney 180–1, 183, 194

see also cultural authority;

high and low culture;

symbolic capital

Cultural Selection (Taylor, G.) 5–6

culture see low and high culture

Cuomo, Mario 193

Cushman, Charlotte 125


Dangerfield, George 35, 36

Dash, Julie 113

Daughters of Dust (Dash) 113

Dávidházi, Péter 203

Davies, Hugh 138

Death of Lady Macbeth (Rossetti) 136–7

death of literature 15–32

Death of Literature (Kernan) 16

Defoe, Daniel 117

Delacroix, Eugène 124, 125

Derrida, Jacques 30, 118

Desmet, Christy i, x, 138

Desmet, Christy, on appropriation in Shakespeare 1–12

De Vane, William Clyde 148

Dialogic Imagination, The (Bakhtin) 8, 115

dialogue in romance novels 49–50, 52–5, 61, 63

Dijkstra, Bram 128

Disney, Walt/Disney Corporation 2, 3, 179–96, 200

Dobson, Michael 207

Dodd, Christina 57–8, 62

Dodd, William 202

Dollimore, Jonathan 24, 31

domesticated woman, Lady Macbeth as 129–37, 140

Donaldson, Peter S. 165, 166, 167, 168, 169, 178

Donne, John 25, 35

Dorfman, Ariel 179, 195

Dostoyevsky, Fyodor 8

Dover Wilson, John 38–41, 199

Dowden, Edward 130, 131

Drakakis, John 207

dramatic monologue and Browning 143, 144–5

Dramatis Personae (Browning) 145, 151, 155

Drayton, Michael 41

Dutchman (Baraka) 106


Eagleton, Terry 20, 22, 24, 46

Edward VII, King 36

Eisner, Michael 181, 182, 183, 194–5, 196

electronic communication 19, 64, 198

Eliot, T.S. 15, 42, 195

Elizabethan World Picture (Tillyard) 191

Elliott, M.L. see Leigh-Noel

Ellis, Sarah Stickney 121, 130, 140

Ellison, Ralph 103, 106, 107

Elsom, John 207

English Literature established as university subject 36–7, 45–6

Englishness celebrated 33–45,

passim 63

Erickson, Peter 109, 110, 111, 118, 186–7, 207

Evans, Malcolm 46

existentialism 171

Eyre, Richard 119


fallen woman, Lady Macbeth as 135–6, 140–1

family:

in Thousand Acres 9–7, 89–92, 99–100;

see also father;

mother

Fantasia (Disney) 194

Fatal Attraction (Close) 171

father:

in Hamlet, dominant 166–8, 170, 175–8;

loss of 161–2, 167;

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