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Page 231 cultural boundaries see surveillance cultural capital of Shakespeare 5–6, 8, 20–3, 26, 31; and Disney 180–1, 183, 194 see also cultural authority; high and low culture; symbolic capital Cultural Selection (Taylor, G.) 5–6 culture see low and high culture Cuomo, Mario 193 Cushman, Charlotte 125 Dangerfield, George 35, 36 Dash, Julie 113 Daughters of Dust (Dash) 113 Dávidházi, Péter 203 Davies, Hugh 138 Death of Lady Macbeth (Rossetti) 136–7 death of literature 15–32 Death of Literature (Kernan) 16 Defoe, Daniel 117 Delacroix, Eugène 124, 125 Derrida, Jacques 30, 118 Desmet, Christy i, x, 138 Desmet, Christy, on appropriation in Shakespeare 1–12 De Vane, William Clyde 148 Dialogic Imagination, The (Bakhtin) 8, 115 dialogue in romance novels 49–50, 52–5, 61, 63 Dijkstra, Bram 128 Disney, Walt/Disney Corporation 2, 3, 179–96, 200 Dobson, Michael 207 Dodd, Christina 57–8, 62 Dodd, William 202 Dollimore, Jonathan 24, 31 domesticated woman, Lady Macbeth as 129–37, 140 Donaldson, Peter S. 165, 166, 167, 168, 169, 178 Donne, John 25, 35 Dorfman, Ariel 179, 195 Dostoyevsky, Fyodor 8 Dover Wilson, John 38–41, 199 Dowden, Edward 130, 131 Drakakis, John 207 dramatic monologue and Browning 143, 144–5 Dramatis Personae (Browning) 145, 151, 155 Drayton, Michael 41 Dutchman (Baraka) 106 Eagleton, Terry 20, 22, 24, 46 Edward VII, King 36 Eisner, Michael 181, 182, 183, 194–5, 196 electronic communication 19, 64, 198 Eliot, T.S. 15, 42, 195 Elizabethan World Picture (Tillyard) 191 Elliott, M.L. see Leigh-Noel Ellis, Sarah Stickney 121, 130, 140 Ellison, Ralph 103, 106, 107 Elsom, John 207 English Literature established as university subject 36–7, 45–6 Englishness celebrated 33–45, passim 63 Erickson, Peter 109, 110, 111, 118, 186–7, 207 Evans, Malcolm 46 existentialism 171 Eyre, Richard 119 fallen woman, Lady Macbeth as 135–6, 140–1 family: in Thousand Acres 9–7, 89–92, 99–100; see also father; mother Fantasia (Disney) 194 Fatal Attraction (Close) 171 father: in Hamlet, dominant 166–8, 170, 175–8; loss of 161–2, 167; |
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