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Page 211 ReferencesAdelman, Janet (1992) Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, New York: Routledge. Adorno, Theodor W. and Horkheimer, Max (1988) “The Culture Industry: Enlightenment as Mass Deception,’’ in Dialectic of Enlightenment, trans. John Cumming, New York: Continuum. Altick, Richard (1985) Paintings from Books: Art and Literature in Britain, 1760–1900, Columbus: Ohio State University Press. Anderson, Amanda (1993) Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture, Ithaca: Cornell University Press. Andreas, James R. (1992) “Othello’s African American Progeny,” South Atlantic Review, 57: 39–57, reprinted in Materialist Shakespeare: A History, Ivo Kamps (ed.), New York: Verso, 181–97. Andrews, John F. (1996) “Kenneth Branagh’s Hamlet Launched at National Air and Space Museum,” The Shakespeare Newsletter 46 (3): 53, 62, 66, 76. Angelou, Maya (1970) I Know Why the Caged Bird Sings, New York: Random House. Ashton, G. (1980) Shakespeare’s Heroines in the Nineteenth Century, an exhibition catalog, Buxton: Buxton Museum. Athenaeum (1864) Review of Robert Browning, Dramatis Personae, July: 765–67. Atwood, Margaret (1994) “Gertrude Talks Back,” Good Bones and Simple Murders, 1st edn., New York: Doubleday, 16–19. |
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