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Ellison, Ralph (1952) Invisible Man, New York: Random House.

—— (1995) The Collected Essays of Ralph Ellison, John F.Callahan (ed.), New York: Modern Library.

Erickson, Peter (1985) Patriarchal Structures in Shakespeare’s Drama, Berkeley: University of California Press.

—— (1991) Rewriting Shakespeare, Rewriting Ourselves, Berkeley: University of California Press.

—— (1993) “‘Shakespeare’s Black?’: The Role of Shakespeare in Naylor’s Novels,” in Gates and Appiah (eds), 231–48.

“Essay Writing on a Great English Author—My Favorite Heroine from Shakespeare” (1888) Girl’s Own Paper, March 10, 380–81.

Evans, Malcolm (1986) Signifying Nothing: Truth’s True Contents in Shakespeare’s Text, Brighton: Harvester Press.

Ewen, Stuart and Ewen, Elizabeth (1992) Channels of Desire: Mass Images and the Shaping of American Consciousness, Minneapolis: University of Minnesota Press.


Faulkner, William (1930) As I Lay Dying, New York: J.Cape, H.Smith.

Fjellman, Stephen (1992) Vinyl Leaves: Walt Disney World and America, Boulder: Westview Press.

Fletcher, M. (1993) “Hillary Clinton Rejects Lady Macbeth Image,” The Times [London], June 11, A:9.

Flower, Joe (1991) Prince of the Magic Kingdom: Michael Eisner and the Re-Making of Disney, New York: Wiley.

Foner, Philip S. (1978) (ed.) Paul Robeson Speaks: Writings, Speeches, Interviews, 1918–1974, New York: Brunner-Mazel.

Foucault, Michel (1984) “What Is an Author?,” in The Foucault Reader, Peter Rabinow (ed.), trans. Josué V.Harari, New York: Pantheon Books.

Fowler, Virginia C. (1996) Gloria Naylor: In Search of Sanctuary, New York: Twayne Publishers.

Freud, Sigmund (1974) The Standard Edition of the Complete Psychological Works, James Strachey et al., ed. and trans., 24 vols, London: Hogarth Press.

—— (1985) The Complete Letters of Sigmund Freud to Wilhelm Fliess, 1887– 1904, Jeffrey Moussaieff Masson, ed. and trans., Cambridge, Mass.: Harvard University Press.

Frye, Northrop (1949) “The Argument of Comedy,’’ in English Institute Essays, 1948, 1949, New York: Columbia University Press.


Gans, Herbert J. (1974) Popular Culture and High Culture: An Analysis and Evaluation of Taste, New York: Basic Books.

Garwood, Julie (1994) Prince Charming, New York: Simon & Schuster.

Gates, Henry Louis, Jr. (1988) The Signifying Monkey: A Theory of Afro-American Literary Criticism, Oxford: Oxford University Press.

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